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Their next album, Darkness Descends, which featured a higher velocity re-recording of their instant classic “Merciless Death,” introduced the world to drumming legend Gene Hoglan. Interestingly enough, We Have Arrived surfaced the same month as Slayer’s second album Hell Awaits, and the title tracks of both sound and feel similar. They had a primal, visceral sound early on that was infectious, and while not as complex as some of their peers, their debut album still holds up because of the sheer energy roaring from the speakers. While they never rose to the top tiers of thrash, Southern California’s Dark Angel were among the first wave of American thrash bands to stir the metal masses.
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Hardcore fans of any band tend to like the warts and all aspect of a full catalog, but Celtic Frost mastermind/founder Thomas Gabriel Fischer (understandably) loathes this release, so it has been out-of-print for many, many years. (Goodbye, “Procreation of the Wicked.” Hello, “Dance Sleazy.”) In retrospect, while still their weakest album, it has its moments. It was an attempt to glam up the band visually – bassist Curt Victor Bryant’s trousers are unzipped on the back cover – while musically simplifying the tunes, and it incited scorn from many fans and critics. They even quoted Charles Baudelaire and Emily Brontë in their lyrics. Their early music certainly captured the thrash zeitgeist, and they challenged perceptions of genre limitations on their first three releases. This Swiss group were experimental pioneers of the ’80s metal underground, infusing dark orchestrations and avant-garde quirkiness into their grinding, doomy, and sometimes thrashy sound. Comic book fans will notice Marc Silvestri’s within Fear Itself and Joe Simko’s adorning their last two releases. Also ready for their streaming debut are their other superlative releases Shadows (1994), Fear Itself (1995) and Master Of Disguise (2014) which also deserve to be heard by a much wider audience. “Relentless” is one of the most turbo-charged metal anthems of the 21st century, propelled by Vor’s compelling six-string fingerwork.
#BEST HEAVY METAL ALBUMS OF ALL TIME MOVIE#
Spearheaded by vocalist/lyricist Sebastian Elliott and guitar wizard Vora Vor, this New York group aptly call themselves “progressive darkwave.” His deep, goth-inflected vocals and her shredding guitar work drive a collage of diverse musical influences, movie soundbites and atmospheric keyboards, and their second album Redemption takes you on a wild ride from brooding ballads to hyperkinetic rockers.
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Metal Bands Scramble to Find Footing in the Wake of Coronavirus Shutdowns